ART PROCESS: ANDY WARHOL PRESERVE PIGMENT COLLECTION
Rocks and pigments on my desk from the Andy Warhol Preserve in Montauk, New York
I’m proudly introducing the five rocks I sourced from the Andy Warhol Preserve in Montauk, NY.
In October 2024 I had the privilege of teaching a handmade watercolor plein air (outdoor) workshop through a grant provided by The Nature Conservancy, and The Andy Warhol Foundation for the Visual Arts ( @nature.ny & @warholfoundation )
With permission from @nature.ny I carefully selected these five rocks at the private preserve. I’m processing them into fine pigment to turn into paint this spring. The paints will be used as the color basis of a new art collection inspired by the coastal landscape of the Andy Warhol Preserve. This work mirrors my process during my upcoming two month artist residency I will be part of @caumsettfoundation later this summer.
The work is labor intensive - I am literally breaking rocks multiple times over. I will need to grind them, sift them, clean them, dry them, and more. Each time the color passes through my hands I connect more and more with it. This work is a privilege and I don’t take it lightly. I’m grateful to the wisdom of all the paint makers, pigment grinders, conservationists, artists, and indigenous practices that led the path for me to step into this alchemy.
The Andy Warhol Preserve, Montauk, New York
Art Process: Handmade Kelp Paint
This year I am moving back into the experimental process that I deeply love. Working with kelp is something I plan to do all year. The smell of kelp, clove oil (in my paint binder) was a soothing briny scent that brought me back to summertime as a child swimming in the bay.
I’m working with @lazypointfarms using @montaukseaweedco kelp meal to create non-toxic handmade watercolor paint. Since these paints are plant based I’m working through a series of tests to watch their colors shift and fade. Capturing scans of them immediately after they dry will preserve the original colors and soon I can offer fine art prints of the abstract patterns made with this crop.
PAINTING MADE WITH HANDMADE KELP PAINT
CHRISTIE JONES, WORK STATION MAKING KELP PAINT, LONG ISLAND
Behind the scenes to process:
Grind kelp meal with mortar & pestle
Sift through to get smaller particles (repeat)
Add handmade non-toxic watercolor binder
Mix with palette knife & muller
Make paintings!
KELP COLLECTION, CHRISTIE JONES 2025
I plan to volunteer later this year with Mastic Beach Conservancy as they harvest kelp. Being connected to the growing process, seeing the kelp harvested, and having the ability to lend my own two hands to be part of this monumental movement in New York kelp is something I look forward to. You can learn more about the aquafarms and opportunities to volunteer here.
FEATURED ON: WLIW-FM
Back in October 2024 when I was marketing for the Nature Conservancy grant I received (read more about it here) I was asked to be interviewed by Heart of the East End’s Gianna Volpe on WLIW-FM. Ria Rajan and I, both art grant recipients, drove out together to the radio show and enjoyed a segment where we shared about our art practices, and what our workshops would be like.
2024 NATURE CONSERVANCY RECAP
The four artists selected for the 2024 Nature Conservancy grant with Andy Warhol Visual Arts Foundation, from left to right top row: Ria Rajan, Christie Jones bottom row: Michelle Brody, Jasmine Gutbrod
Last autumn I had the absolute honor of being selected as one of the 2024 Nature Conservancy artists to receive a grant from the Andy Warhol Visual Arts Foundation. In October, I led a plein air workshop at the private Andy Warhol Preserve in Montauk, New York. It was a wonderful small group of adventurers. We drove into the preserve, hiked with our materials into this gorgeous opening overlooking the Atlantic Ocean. It was something right out of a movie. The weather was perfect, warm with a cool ocean breeze. The sun shone down upon us as we savored the sights, smells, and sounds of this remote location.
This experience solidified my excitement of creating with others en plein air. I have always enjoyed the unpredictability of painting outdoors, but seeing the joy on everyone’s faces made me realize how special it truly is. Gathering to create, being in nature, appreciating the moment these are all important things especially as life twists and turns. Being among others who share these passions is a special thing. I am grateful that the grant provided access to this historic setting, along with the materials that I was able to provide and share with attendees. I hope this is the first of many workshop experiences like this.